MASP
logo-MASP
  • TICKETS
  • Collection
  • Store
  • Support
  • Calendar

  • Search

  • PT/EN
close-icon
  • Meus dados
  • Sair
  • logo-MASP
  • SUPPORT
  • VISIT
    • CALENDAR
    • GETTING HERE
    • GROUP SCHEDULING
    • HOURS
    • MASP restaurant A Baianeira
    • MASP CAFÉ
    • MASP STORE
    • TICKETS
  • COLLECTION
    • ARTWORK LOANS
    • CONSERVATION AND RESTORATION
    • EXPLORE THE COLLECTION
    • IMAGE REQUESTS
    • SEARCH THE COLLECTION
  • Research Center
  • EXHIBITIONS
    • CURRENT
    • FUTURE
    • PAST
    • ANNUAL SCHEDULE
  • PUBLIC PROGRAMS
    • ART AND DECOLONIZATION
    • DIALOGUES IN THE COLLECTION
    • GROUP SCHEDULING
    • LECTURES
    • MASP Talks
    • MASP TEACHERS
    • SEMINARS
    • WORKSHOPS
  • COURSES
    • ALL
    • TEACHERS' SCHOOLARSHIPS
  • STORE
  • BECOME A MEMBER
  • ART EDITIONS
  • SHOWS AND EVENTS
  • PUBLICATIONS
  • ABOUT MASP
    • ANNUAL REPORTS
    • CONTACT-US
    • Expanding MASP
    • Masp Endowment
    • FINANCIAL STATEMENTS
    • GOVERNANCE
    • MEET THE TEAM
    • PARTNERS AND SPONSORS
    • Social Statute
    • SUPPORT MASP
    • SUSTAINABILITY
    • WORK WITH US
    • YOUR EVENT AT MASP
    • KEEPING IT MODERN GRANT
  • MUSEUM MAP
  • PT/EN
collection-item-img
collection-item-img
icon-a-track icon-a-track
go back
btn-back

Ezio Ceccarelli

Feminine Bust, Circa 1920

  • Author:
    Ezio Ceccarelli
  • Bio:
    Montecatini Val di Cecina, Itália, 1865-Florença, Itália ,1927
  • Title:
    Feminine Bust
  • Date:
    Circa 1920
  • Medium:
    Mármore
  • Dimensions:
    52 x 33 x 23 cm
  • Credit line:
    Doação Associação Brasileira de Antiquários de São Paulo, 1979
  • Object type:
    Escultura
  • Inventory number:
    MASP.00785
  • Photography credits:
    João Musa
share

TEXTS


By Anna Carboncini
In this work the artist defines the portrait with pure and essential lines. The light glides over the planes virtually unobstructed. The stylization of the figure brings to mind the style of Wildt, but is, however, devoid of his dramatic effects. The only marked contrast in the prevailing serenity is the twisting of the torso, which stresses the elongated contours.

— Anna Carboncini, 1998

Source: Luiz Marques (org.), Catalogue of the Museu de Arte de São Paulo Assis Chateaubriand, São Paulo: MASP, 1998. (new edition, 2008).



Related
works

Search
the collection

Filter your search

CONNECT WITH US

logo-MASP

AV Paulista, 1578
01310-200 São Paulo-Brasil
+55 11 3149 5959
CNPJ 60.664.745/0001-87

  • ABOUT MASP
  • PRESS
  • CONTACT US