MASP
logo-MASP
  • TICKETS
  • Collection
  • Store
  • Support
  • Calendar

  • Search

  • PT/EN
close-icon
  • Meus dados
  • Sair
  • logo-MASP
  • SUPPORT
  • VISIT
    • CALENDAR
    • GETTING HERE
    • GROUP SCHEDULING
    • HOURS
    • MASP restaurant A Baianeira
    • MASP CAFÉ
    • MASP STORE
    • TICKETS
  • COLLECTION
    • ARTWORK LOANS
    • CONSERVATION AND RESTORATION
    • EXPLORE THE COLLECTION
    • IMAGE REQUESTS
    • SEARCH THE COLLECTION
  • Research Center
  • EXHIBITIONS
    • CURRENT
    • FUTURE
    • PAST
    • ANNUAL SCHEDULE
  • PUBLIC PROGRAMS
    • ART AND DECOLONIZATION
    • DIALOGUES IN THE COLLECTION
    • GROUP SCHEDULING
    • LECTURES
    • MASP Talks
    • MASP TEACHERS
    • SEMINARS
    • WORKSHOPS
  • COURSES
    • ALL
    • TEACHERS' SCHOOLARSHIPS
  • STORE
  • BECOME A MEMBER
  • ART EDITIONS
  • SHOWS AND EVENTS
  • PUBLICATIONS
  • ABOUT MASP
    • ANNUAL REPORTS
    • CONTACT-US
    • Expanding MASP
    • Masp Endowment
    • FINANCIAL STATEMENTS
    • GOVERNANCE
    • MEET THE TEAM
    • PARTNERS AND SPONSORS
    • Social Statute
    • SUPPORT MASP
    • SUSTAINABILITY
    • WORK WITH US
    • YOUR EVENT AT MASP
    • KEEPING IT MODERN GRANT
  • MUSEUM MAP
  • PT/EN
collection-item-img
collection-item-img
icon-a-track icon-a-track
go back
btn-back

José Antônio da Silva

Beautiful Beautiful Beautiful, 1976

  • Author:
    José Antônio da Silva
  • Bio:
    Sales de Oliveira, São Paulo, Brasil, 1909-São Paulo, Brasil, 1996
  • Title:
    Beautiful Beautiful Beautiful
  • Date:
    1976
  • Medium:
    Óleo sobre tela
  • Dimensions:
    73,5 x 99,5 cm
  • Credit line:
    Doação Breno Krasilchik, 2015
  • Object type:
    Pintura
  • Inventory number:
    MASP.01627
  • Photography credits:
    Eduardo Ortega
share

TEXTS



At the age of 22, José Antonio da Silva moved to São José do Rio Preto, in the interior of São Paulo. In 1946 he participated in the inaugural exhibition of the Casa de Cultura, a cultural space that was later named after him—the Museu de Arte Primitivista José Antônio da Silva. As a self-taught artist, da Silva’s work was often considered primitive or naïve. These designations reflect an elitist and reductionist perspective according to which artworks created by artists without formal training, or artworks that didn’t follow styles accepted by art academies, were considered minor. Works by José Antônio da Silva received awards at the 1st Bienal de São Paulo (1951) and were exhibited at the 33rd Venice Biennale (1966). Early in his practice, the artist created self-portraits and religious scenes. In the 1940s he began to focus on themes related to the countryside—farming, animals, workers, houses—and cotton plantations in particular, two of them in MASP’s collection. From the 1970s on, his landscapes became increasingly abstract, such as Lindo lindo lindo [Beautiful Beautiful Beautiful]. With the horizon line at the top of the canvas, a path opens in the middle of the green area, dividing the composition into two parts. Lines formed by white dots become increasingly dense as they converge at the top of the canvas, where clouds occupy the horizon line. This convergence creates an effect of depth and suggests a relationship between the clouds and the cotton plants: one begins where the other ends. The title seems to reflect the artist’s admiration for the extraordinary character of this landscape: “beautiful, beautiful, beautiful.”

— Adriano Pedrosa; Olivia Ardui

Source: Adriano Pedrosa and Olivia Ardui (org.), Pocket MASP with MCA, São Paulo: MASP, 2019.



Related
works

image-legend
image-legend
image-legend
image-legend
image-legend
image-legend
image-legend

Search
the collection

Filter your search

CONNECT WITH US

logo-MASP

AV Paulista, 1578
01310-200 São Paulo-Brasil
+55 11 3149 5959
CNPJ 60.664.745/0001-87

  • ABOUT MASP
  • PRESS
  • CONTACT US