MASP
logo-MASP
  • TICKETS
  • Publication
  • Store
  • Support
  • Calendar

  • Search

  • PT/EN
close-icon
  • Meus dados
  • Sair
  • logo-MASP
  • SUPPORT
  • VISIT
    • CALENDAR
    • GETTING HERE
    • GROUP SCHEDULING
    • HOURS
    • MASP restaurant A Baianeira
    • MASP CAFÉ
    • MASP STORE
    • TICKETS
  • COLLECTION
    • ARTWORK LOANS
    • CONSERVATION AND RESTORATION
    • EXPLORE THE COLLECTION
    • IMAGE REQUESTS
    • SEARCH THE COLLECTION
  • Research Center
  • EXHIBITIONS
    • CURRENT
    • FUTURE
    • PAST
    • ANNUAL SCHEDULE
  • PUBLIC PROGRAMS
    • ART AND DECOLONIZATION
    • DIALOGUES IN THE COLLECTION
    • GROUP SCHEDULING
    • LECTURES
    • MASP Talks
    • MASP TEACHERS
    • SEMINARS
    • WORKSHOPS
  • COURSES
    • ALL
    • TEACHERS' SCHOOLARSHIPS
  • STORE
  • BECOME A MEMBER
  • ART EDITIONS
  • SHOWS AND EVENTS
  • PUBLICATIONS
  • ABOUT MASP
    • ANNUAL REPORTS
    • CONTACT-US
    • Expanding MASP
    • Masp Endowment
    • FINANCIAL STATEMENTS
    • GOVERNANCE
    • MEET THE TEAM
    • PARTNERS AND SPONSORS
    • Social Statute
    • SUPPORT MASP
    • SUSTAINABILITY
    • WORK WITH US
    • YOUR EVENT AT MASP
    • KEEPING IT MODERN GRANT
  • MUSEUM MAP
  • PT/EN

COMPRE AQUI

Tarsila do Amaral: Cannibalizing Modernism

Edited by:

Adriano Pedrosa; Fernando Oliva


Texts by:

Adriano Pedrosa; Amanda Carneiro; Artur Santoro; Carlos Eduardo Ricciocoppo; Fernando Oliva; Guilherme Giufrida; Irene V. Small; Mari Rodríguez Binnie; Maria Castro; Matheus de Andrade; Michele Bete Petry; Maria Bernardete Ramos Flores; Michele Greet; Paulo Herkenhoff; Renata Bittencourt; Sergio Miceli; Tarsila do Amaral


Capa dura, 21,5x28,5cm, 360p, inglês, MASP, 2019


Esgotado


ISBN 978-85-310-0070-6


This is the most comprehensive exhibition catalog dedicated to the work of Brazilian artist Tarsila do Amaral (1886-1973), a pioneering figure in Latin American modernism. After studying with Fernand Léger (1881-1955) and André Lhote (1885-1962) in Paris, Tarsila, as she is widely known in Brazil, cannibalized modern European references to create a unique style of her own, true to her origins, with the use of <em>caipira</em> [Brazilian countryside] colors, as well as representations of typical and local characters, scenes, and narratives. This publication accompanies the most extensive exhibition of Tarsila to date, held at the Museu de Arte de São Paulo (MASP), and reproduces 113 of her works, as well as documents and photographs.

CONNECT WITH US

logo-MASP

AV Paulista, 1578
01310-200 São Paulo-Brasil
+55 11 3149 5959
CNPJ 60.664.745/0001-87

  • ABOUT MASP
  • PRESS
  • CONTACT US